I love this image. Love it. These guys could be celebrating achieving tenure at Walden College. But it’s King Crimson doing publicity for a fall tour. Now I have no idea whether the new ‘configuration’ will be any good (the last few versions were kinda ho-hum) but they’ve got the right idea.

And I love the fact that Robert Fripp is an adult. He’s not a 60 year old man trying to act like a pirate. He’s a grown man, playing music for adults. At 115db. 😀

King Crimson was always about a quiet ferocity. The press tended to depict KC as this pointy-headed intellectual vibe, probably because Fripp is so pretentious and ‘British.’ But when you go to a KC show, it’s takes no prisoners. Fripp always reminded me of George Smiley… this tightly wrapped guy, who knows what he’s doing, but with a rage you cannot believe.

And this is (or should be) the future of classical music.

Whither Goest Thou

As some of you know, I’ve had […]

When I started re-discovering ‘electronic music’ as a thing apart from ‘electronica’ I thought I’d connect with a whole new universe of old. I knew there was a thriving culture of people who were totally entranced (pun intended) by vintage gear and I thought that in addition to being good material for the new record, it would be fascinating to see how that culture had evolved. But the current world of synthesisers is just not what I expected at all.

When I first saw a synthesiser in 1975, that world was largely either rock stars or people at large universities trying by gain some respect in the ‘real’ music world. The common denominator in both cases was deep pockets. Synths were about as expensive as a small airplane and just about as easy to use.

But everyone with an interest really wanted respect for their new instruments and they attempted to get it in three ways:

By creating idiomatic music, […]