The Music Of JC Harris

positively the most intelligent progressive rock on this here planet

positively the most intelligent progressive rock on this here planet

JCHRants

This Person Does Not Exist

What happens when computers make technique irrelevant? AI people. The end of the Uncanny Valley. The role of the magician in performance. Porn. Straight to the Lizard Brain. Neuromancer. Making Sexy Time.

Roger CortonSo what’s on the agenda today?

JCHthispersondoesnotexist.com

RCThat is really something.

JCHTo be clear, all the images you see there are artifically generated. They are not real. I don’t think a lot of people get it until it’s explained because it’s so ‘real’. We’ve crossed that Uncanny Valley.

RCI remember that rant! That was back when CGI characters still had that weird look. Like Jar Jar Binks (laughs). Now, you literally cannot tell. But what does it have to do with progressive rock?

JCHI had a discussion a long time ago with another musician and we came to the conclusion that, you know, at some point, software would be able to write and play as well as…

RCOr better than…

JCH…Or better than… any human. And at that point, we would have to decide that music was not so much an ‘art’ as an Olympic sport… that watching someone ‘actually do it’ was as important as the sounds they make. In other words, Musicians would become like professional magicians.

RCI think I get that. You can obviously edit video or audio to do ‘impossible’ seeming stuff now. But a magician makes his living by ‘doing’ what seems impossible. The fact that you’re watching someone do the trick is what makes it exciting.

JCHExactamundo! Now machines can create stuff that is as real as real. And I wonder if we will be able to shift to valuing what people actually do.

RCI doubt it. (laughs)

JCHMe too. But this actually does have something to do with the new record.

RCPray tell?

JCHYou’re supposed to notice that I brought things back on topic.

RCYou’re doing great work. I’m sorry, I can’t send you a biscuit over Skype.

JCHYou can’t just put it in the little tray on the side?

RCNo. That’s an obsolete device called a CD player. People used to buy these silver discs from people like you.

JCHOh yeah. It’s been a while. (laughs)

RCSo what about the new record?

JCHWell the good news is that there’s plenty of (cough) ‘shredding’.

RCYou mentioned that before. For real?

JCHI thought you’d be thrilled.

RCWell, you say that every record and every record it’s…

JCHAn emotional letdown? (laughs)

RCTo be honest, usually your shredding is more ‘intellectual’ than rip roaring.

JCH(laughs) I know what you mean, but I don’t think the audience does.

RCJC tends to do guitar parts that sound very simple–until you try to play them. They’re absolute finger busters. He almost never does anything that lays like a typical rock or jazz part. Why is that?

JCHIt goes back to college. As I’ve said so many times, I couldn’t read well when I got to college so I went totally in an, as you say, ‘intellectual’ path. I just played exercise books from other orchestral instruments for years and never got back to playing ‘like a guitar player’.

RCMeaning like Chuck Berry or Blackmore or the other gods of rawk (laughs). But you must’ve done that when you played Motown or all those other high profile gigs?

JCHOh sure. But it was like an actor putting on a costume. It wasn’t ‘me’.

RCSo, the real you is…

JCHFernand Oubradous. Enseignement Complet du Basson (laughs). How did you like my outrageous French accent?

 

RCNot touching that with a ten foot bassoon. (laughs) OK, so back to the shredding.

JCHI’m really focusing on guitar stuff this time. There’s almost no ‘piano’. And most of the guitar parts aren’t just ‘hard’, many of them probably should sound (cough) impressive, I guess, based on what I think people find ‘impressive’. But the more I thought about all this whole AI malarkey, the more I was wondering, “Is this all there is?”

RCDo Irish people say ‘malarkey’?

JCHNo, we really don’t. It would be like an Italian guy coming to America and using some fake Italian expression. Which I can’t think of right now (laughs). Franco-American! Chef Boyardee!

RCI’m thinking of that Peggy Lee song (laughs).

 

JCHThat’s exactly how I feel now! It’s like, no matter how ‘impressive’ this stuff will sound, I’m wondering just how ‘impressed’ people will be.

RCBecause a computer can make something just as cool?

JCHYES! I’m totally redundant! I’m wondering if people can hear it as music. Like Beethoven.

RCDude, you’re not Beethoven.

JCHOf course not. That’s not the point. When you listen to a for realz composer, you just hear the music. Maybe it’s shredding, maybe it’s not. But you just listen to the thing. For me that’s how ‘progressive rock’ should be.

RCNot sure I get you.

JCHIt should be music where the technique is irrelevant.

RCWait. In punk, technique is totally irrelevant.

JCHI disagree. In punk, I think the technique is completely the point. You’re stuck with three chords…

RCOr two, if possible…

JCHBetter still. But regardless, you’re in this box. And that’s the whole fucking point. You thrash away in spite of ‘technique’. It’s a middle finger to ‘practicing’. But with great music, you’re not in that box. Easy. Hard. What-ehvs. You just write and play what you want. No limits. On either side. That is what I try to get to. A lot of ‘classical’ music that people really respond to is not technically challenging. The challenge is making it sing.

RCI think I get you. Although it’s hard to get to the point where you have those options.

JCHSure it is. But at the end of the day, like Bird said, “You work it all out. Master your craft. And then you throw it all away and just play.” I think that’s right.

RCThe ten thousand hours. But the computer makes that all irrelevant because it’s like Archie Bell (laughs). It can sing and dance just as good as it wants to.

JCHRight! See my problem with AI and CG is that it’s like porn… it’s figured out how to bypass a whole section of the brain and go straight to the dick, right?

RCI wouldn’t know (laughs).

JCHOh fuck you. You know exactly what I’m talking about. You go to any porn site now and the first thing you see is a game or a device with an advert like, “You will come in three minutes!” Like that’s a good thing. Nutting out with maximum efficiency.

RCAnd you’re saying that that is where AI is going?

JCHI’m just saying that it’s going to figure out what makes people cry or laugh… just like porn… straight to the Lizard Brain. And people will think that that is ‘art’ because the experience is so intense.

RCI like my funk uncut.

JCHJust like that.

RCAren’t you mixing metaphors? Some of this sounds like Neuromancer. You started off talking about the magic trick of shredding and now you’re getting into something else. I’m not sure what, but it’s different.

JCHYou’re absolutely right. I’m going off into too many tangents. I just want to leave it with the idea that I’m playing my ass off on this one and it dawned on me that the playing will probably impress no one simply because, except for a few kids and old guys who are into guitar for guitar’s sake, the ‘wow’ factor is gone. So at the end of the day, if I’m ‘shredding’ it better be because the music demands it, not because I’m trying to make sexy time.

RCMake sexy time?

JCH Haven’t you heard that expression before?

RCI most certainly have not! (laughs)

JCHWait, see that little drawer? I’m sending you a box of smelling salts.

RCIs this just another gratuitous porn reference I should edit out?

JCHNot at all. Porn is kinda the point I want to land on.

RCHi-yo.

JCHThe thing that struck me about the guitar sounds is that they will strike listeners as sort of like breast implants.

RCI can’t wait for this one.

JCHThere’s this thing in mixing we’ve discussed many times now. The larger than life phenomenon. So much of the recording process now is so contrived that you can’t tell where reality begins and the tech ends.

RCSure. I remember the most hate mail we ever got was when you criticized the Beach Boys for singing out of tune (laughs).

JCHWell, it’s true. And you could say the same for James Brown Live At The Apollo and all sorts of great records.

RCJust to recap. You maintain that  the recording industry dramatically improved the playing standards, But then at a certain point, that wasn’t enough and electronic processing began to make recordings super-human sounding. And now, listeners have had forty years of getting used to all that trickery and now ‘real’ playing seems unnatural.

JCHWell put. That’s why you’re perfect for this.

RCYour condescension, as always, is much appreciated, Arthur.

JCHOh man, I love that movie. But truly, you really nailed it. I always got a bunch of comments like I was using a drum machine or some other electronic trickery. And I realized that my guitar playing will come off like breast implants. There will be this “those can’t possibly be real.”

RCAnd some people will respond with, “WHO CARES!” (laughs) Because of the Lizard Brain. I get you.

JCHYES! So it’s like this double-cross. It’s not a trick. But it sounds like a trick. So my question to you is: is that distracting?

RCI think it’s comes down to how you feel about Dolly Parton.

JCHOh man. I love you so much right now. That’s wonderful.

RCI assume that her cleavage is ‘real’. But it always struck so many people as a joke. Even she would joke about it.

JCHRight. She’s like the endgame for so many porn videos. Impossibly wonderful tits. And yet, in her case, they’re real. What I’m getting at is…

RCYes, what are you getting at?

JCHI crossed the uncanny valley. I mean it started a long time ago and you’ll hear it a lot more in the new record. And it kinda bugs me because I wasn’t doing a ‘Dan’.

RCBeing obsessively ‘perfect’ to make a statement of how cool the music is?

JCHThat’s a good way to put it. There’s this point where you get so hip that you never leave the house.

RCOr Hawaii.

JCHRight! (laughs). But that’s not what’s going on for me. For whatever reason, I just drifted towards really impressive tits. And I don’t even like really large breasts.

RCOK, I think that about wraps it up for today.

JCHBut you take my point?

RCNo, I think I lost you at the really large tits.

JCHIt occurred to me that the way forward for musicians is the performance aspects. The magician doing the impossible looking ‘trick’. But you don’t want to take it too far or it goes into breast implant territory. It stops being a ‘trick’ and people get distracted by trying to figure out if they’re real.

RCI get it. Sometimes more isn’t more.

JCHEven when it comes to cleavage.

RCHard to believe, but true. And on that high-minded note, we are outta here.

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